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Another late one – this from the 30/12/2009.
Sometimes it seems as if celebrity chefs have managed to hijack more of our television airwaves than any other genre in TV history, and Christmas week it’s worse than ever. Cooking programmes are great… but wall-to-wall recipes and a surfeit of inflated egos is enough to turn anybody’s stomach. With some, like Hugh Fearnley-Whittingstall, I appreciate the food and the ethos and philosophy behind it, but could probably do without the lame one-liners.
Others like Jamie Oliver come up with great recipes that really are easy to cook at home, if you can endure the cheeky-chappy facade. Actually, as I type this I have a Jamie Oliver Christmas jerk ham joint in the oven. Yum!
Even with Gordon Ramsey, who is perhaps the most egotistical of the bunch, you have to appreciate his consummate skill in the kitchen, and his unequivocal passion for great food, despite his caustic language and bullying, autocratic style.
TV chefs span the gamut, from the sublime to the truly ridiculous. The week before Christmas, for example, I was unfortunate enough to land on "The Hairy Bikers" while channel flicking… they were cooking up the twelve-days-of-Christmas, which sounds like a pretty solid concept for a festive cooking show, until you realise that this is "The Hairy Bikers", and that they’re insisting on spicing things up by punctuating the actual cooking with assorted seasonal pranks. This included cavorting across the stage in leotards with the cast of Lord of the Dance. It was enough to make anyone lose their appetite.

The Late Late Toy Show is an Irish institution.
That doesn’t necessarily mean it’s a good thing… just that it’s an inescapable one. As inevitable as death, taxes, corruption, tribunals and election posters, the Late Late Toy Show is one in a long list of things that parents all over the country have to suffer, but would generally prefer to avoid.
Having skilfully managed to sidestep the live airing on Friday night (the girls had friends staying over, and were so engrossed in play that they forgot about it), I thought that we might get away with it this year, but thanks to the wonders of modern technology there was no chance of that. The next day we had a family viewing of the show over the Internet. With the computer hooked up to the flat-screen telly and RTE Player streaming full-screen it was almost as "good" as viewing the live show. Lucky me!

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Last night on Channel 4 “Inside Nature’s Giants” showed the in-situ autopsy of a fin whale that stranded in Courtmacsherry Bay, West Cork back in January.
We all watched last week’s show, in which the team dismembered an elephant, in rapt fascination. Even the five-year-old was allowed to stay up, and was full of questions that, thankfully, the programme answered.
It was amazing – if a little on the grizzly side.
This week it was the turn of the whale.
As we’d all been up to see the unfortunate whale the day it died, the girls were incredibly excited to see the programme.
But I have to say that despite being very interesting, and revealing some astonishing facts, conducting the autopsy in the field while battling the tides and the worst of the Irish winter took the edge off the operation.
The elephant, in the controlled environment of London’s Royal Veterinary College, had been an exercise in clinical precision. The whale, in contrast, was a race against the elements – a race that meant things we could have seen, we didn’t get to see, or at least didn’t get to see as clearly as we might have.
The girls were thrilled to watch the dissection of the whale that they’d seen lying on the beach – but for me the programme itself wasn’t as engaging and informative as the elephant one the week before.
Next week it’s back to the Royal Veterinary College, where the subject going under the knife is a crocodile. Should be revealing!
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I just got this via e-mail from Simon Berrow of the Irish Whale and Dolphin Group.
Apparently the autopsy of the fin whale (Balaenoptera physalus) that stranded in Courtmacsherry bay in West Cork back in January is going to be shown in a new Channel 4 series called Inside Nature’s Giants.
Here’s the e-mail text:
All,
The post-mortem of the fin whale stranded in Courtmacsherry Bay in January 2009 will be shown on Channel 4 in a new series starting this week.
The programme is entitled "Inside Nature’s Giants" and the four part series covers an Elephant (29 June), Fin whale (6 July), Crocodile (13 July) and Giraffe (20 July). All programmes are at 9pm on Channel 4.
The IWDG were contacted by Channel 4 the day the whale stranded having picked up the story from our website. As we did not know what was going to happen to the whale, or subsequently its’ carcass, it was hard to know how we could facilitate and whether indeed a post-mortem could be carried out. We had never tackled such a large animal before so were literally going into the unknown.
After lengthy discussion Windfall Films decided to fly over a large whale researcher from the US. Even then access to the whale was not certain as Cork County Council policy was removal or burial. Fortunately everything worked out and Channel 4 got their autopsy, we learnt more about whales in Ireland, Cork County Council got the whale removed and Kilbrittain community got their skeleton ! Joy Reidenberg from the US was absolutely incredible and took us all through the process of post-mortem examination of a large whale.
See the amazing footage on Channel 4 at 9pm on Monday 6th July.
Sounds a tad on the gruesome side… but I, for one, will be watching with interest. The series kicks off tonight with the dissection of an elephant!
We live in an old schoolhouse, and bisecting the garden is a six-foot stone wall — effectively separating what were once the boys and girls yards. It’s a charming throwback to a bygone era, a lovely original feature of the property, and this spring it’s also home to a family of blue tits. They’ve chosen to nest in a small hole between the stones about a third of the way up, the entrance secreted behind the leaves of a young pear tree that’s fanning across the wall.
I first noticed the parents coming and goings a few weeks ago, but thought I’d keep it to myself until I was sure the eggs had hatched. The girls love nature and wildlife, but their enthusiasm they can get the better of them sometimes, and the last thing I wanted was an abandoned nest. Once both parents were busy feeding their hungry chicks the likelihood of that happening was pretty slim, and so when I could hear the insistent cheeping that told me they’d arrived I showed the girls the adult birds’ comings and goings, the caterpillars and grubs they were bringing, and, in between the parents’ visits, I showed them the nest itself.
In the darkness of the hole you could just make out the bright yellow gapes of five hungry little mouths. The excitement was palpable.

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It’s refreshing when you see some genuinely good television.
Refreshing, but depressingly rare. Our screens are flooded with vacuous celebrity talent shows and patently unreal reality programmes. Television schedules crossed the boundary into the banal a long, long time ago, and with the exception of a few pinpoints of light among the shadows of mediocrity, show no sign of returning to a more cerebrally stimulating norm any time soon. Little wonder that the youth of today are eschewing TV and are spending increasing amounts of their leisure time online, interacting with their peers in all sorts of ways.
As I write this, as if to reinforce the point, a mid-morning re-cap of dancing on ice is flickering across the TV screen in the other room. The off switch really is the only escape.
But despite the tidal wave of mediocrity television still has the power to enthrall and inform.
Last night I had the pleasure of watching David Attenborough present an exploration of Charles Darwin’s tree of life — a look at the celebrated naturalist’s extraordinary journey as he struggled first to unravel the mysteries of natural selection and evolution, and then to prove his controversial theories to a sceptical world.
Attenborough, naturally, was at his seasoned and consummate best: an inimitable presenter who engages and informs with just the right amount of gravitas, but without overshadowing programme content. Who, you wonder, will take up the mantle of television’s most celebrated wildlife presenter when he inevitably hangs up his microphone? Please television gods, let it not be Bill Oddie!
Some things in life just make you smile.
Normally I abhor channel surfing with a passion… but tonight my wife’s antics with the remote control yielded unexpected dividends: Fraggles!
It was an obscure free-to-air satellite channel called “POP TV“, and we’d caught the Fraggle Rock opening credits. Magic!
When you’re ploughing through your adult life, trying to make ends meet, busy with work, family, and the myriad challenges, pressures and distractions of the world we live in, it’s all too easy to forget about the lighter side of life. But them something small (like Fraggles
) will help put things back into perspective.
I used to watch Fraggle Rock with my sister and brother in my “Nain’s” house (Welsh for Grandmother) after school. Happy, carefree days, long gone, but thankfully not forgotten.

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“Oh no, that programme’s terrible,” uttered one of the twins as we settled down in front of the fire for an evening of family telly. On screen, Rachel Allen, doyenne of Irish culinary television, was strutting her Nigela-esque stuff, showing the nation how to blind bake the quintessentially perfect pastry case.
Curious, I asked what my daughter found so bad about the programme. “Well, it makes you so hungry,” came the reply. I guess you can’t argue with that; the new series is all about baking.
They say the way to a man’s heart is through his stomach, and baking, it has to be said, is very close to my heart. Eating it that is, not actually doing it. I’m lucky, because I happen to be married to an excellent baker, and it’s winter. Winter means the oven on the range is always hot, and there’s usually something yummy on offer in the kitchen.
So you’d think Rachel Allen’s new series would appeal to me… and it does on one level. It’s a good, wholesome programme that we can enjoy at a decent hour with the children, and yes, some of the recipes look mouthwatering. Television that passes on practical information, and real skills that you can use is to be applauded.
But there’s another aspect to the programme that tarnishes its superficial appeal. It’s a problem that afflicts many such programmes – Nigela Lawson’s are a prime example, as was the last series of iconic celebrity cook Delia Smith, and in other genres things like “Location, location, location”. It’s the gradual erosion of content to make way for the presenters’ expanding egos.

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Certain events punctuate every year, acting as temporal milestones that hammer home just how quickly time is passing us by. Birthday’s are the obvious ones – when we really can’t escape the fact that we’re adding yet another year to the clock, but there are plenty more of them.
One rolled around again last Friday night, when RTÉ broadcast the annual extravaganza that every child in Ireland waits for with bated breath as the nights close in and temperatures plummet. Yes it was time for a cosy evening in with Pat Kenny and the Late Late Toy Show. Time flies when you’re having fun, they say… so I knew this was going to be a long, long night.
We decided we’d let the girls stay up, despite the fact that The Late Late Toy Show really lives up to its name. For something designed to appeal predominantly to kids, it’s on ludicrously late, but watching the rerun on Sunday morning simply doesn’t cut it. The girls normally go to bed around eight, so by the time the signature theme tune rang out and a festively dressed Pat Kenny arrived on screen the twins were stifling yawns, and the little one was actively fighting sleep.
Pat Kenny was his usual engaging, lucid and insightful self – so within about five minutes I found myself actively fighting sleep too. The toy show is a bit different to Pat’s regular Friday night gig. For a start, when the list of interviewees consists of four- to eight-year-olds, Sarah Ferguson and a member of West Life he at least has a fighting chance of holding his own. And he managed it too… until a quick witted seven year old with a remote control walked on and got the better of him.

Published in The Evening Echo on 26/05/2008
You’ve got to feel a bit sorry for Sir Alan Sugar.
Why feel sorry for a man who’s managed to accumulate a fortune of more than GB£800 million over his chequered career? A man who’s ferried around in a chauffeur-driven Bentley? A man who flies around in his own Lear jet?
Not a lot feel sorry for, you might think; apart, perhaps, from the fact that he supports Tottenham Hotspur…! But then you remember that Sir Alan has signed up with the BBC to do “The Apprentice”, which is now in the middle of its fourth series. And the poor man must be ruing the day he signed on the dotted line.
Sure, the programme has made Alan Sugar a household name, but at what cost… and does someone that successful really need to raise his profile anyway?
Never mind the fact that he comes across as an acerbic, megalomaniacal tyrant; or the fact that he’s forced to jab an accusatory finger at one hapless candidate after another as he delivers his “You’re fired!” catch-phrase every week (apparently it’s written into his contract; a legacy from the original American show format, featuring the equally megalomaniacal but frankly much more ridiculous-looking Donald Trump). No, the real blow must be that he has to actually hire one of these buffoons at the end of the series.
Why on earth would a man who obviously doesn’t need the money, and who doesn’t suffer fools gladly, decide to lumber himself with such a motley assortment of corporate misfits? Worst of all, he’s actually obliged to give one of them a job at the end of it… and based on their performance on the tasks to date you can’t help but wonder at the wisdom of that.





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